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1967 Chevy Camaro Project - The Unfair Advantage, Part 3

The Prodigy '69 Camaro Gets Its Suspension On.

By Frank Serafine, Photography by Frank Serafine
1967 Chevy Camaro Project CHD Rendering

In this installment of Project Unfair, we get down to one of the truly unfair aspects of our build, the dual-mode suspension system designed by Art Morrison Enterprises (AME). In case you missed it in one of the previous articles, the performance goal for the Project Unfair '69 Camaro is to be the fastest all-around Pro Touring car on the planet. All-around means a car that will handle with the best Pro Touring cars on the autocross and road course and cruise to the grocery store. That's the easy part. But to be "all-around fastest," we also want to be able to run 8.99 quarter-mile times and 200-plus mph in the standing mile-which has never happened in a g-machine.

To achieve our 8.99 quarter-mile times with a high-level handling g-machine suspension is difficult, if not impossible. The suspension geometry, the anti-squat, instant center, and preload of a good-handling suspension simply does not work well at the dragstrip. Sure, someone could put an outrageous amount of horsepower in a g-machine and make a Hail Mary white-knuckle pass through the traps simply overpowering the track. But we want to drag race consistently and as safely as possible. We also do not want to be in a position where we are forced to make so much crazy horsepower that we lose the streetability of the package.

So, in the planning and scheming phase of Project Unfair, the absolute most time was spent on figuring out a way to make a suspension system adjustable enough to have great handling and drag race great. One of the caveats early in the planning was that we don't mind making changes to transform the car from g-machine to drag racer, but did not want to totally dismantle and reassemble the car to do it.

1967 Chevy Camaro Project Art Morrison Suspension

There are multiple suspension designs available and one could argue for hours and hours (and they do) on which system is best. The reality is there are five suspension designs that can all work great for handling. We spent hours and hours researching all the best suspension systems available. We reviewed the anti-squat and preload capabilities of each system. We looked at adding some adjustability to currently available systems. Yes, we could add some adjustability and improve some of these systems, but no matter what we did, we found compromises in either handling or drag racing. We explored every possibility but ran into issues with each design.

Let's look at the different types of rear suspensions available and my feelings about their pros and cons for this custom application.

Leaf Springs: This was part of the original F-body suspension design. There are leaf springs made for fine handling, and there are leaf springs made for great dragstrip performance, but they are hugely different from one another. Performance handling leaf springs are multileaf design and are very firm and can handle very well. Drag race leaf springs are often a monoleaf design and are very soft and springy and do not handle well. Each spring designed to do one thing performs rather poorly at the other function.

Torque Arms: There are a few torque arm conversions for g-machines that handle very well. But the problem with a torque arm is that when set up for handling, it is not a good drag race setup (especially at our power level). Yes, there are plenty of fourth-gen Camaros that will drag the rear bumper, but you should try to turn a corner in one of those cars set up for the strip. And it is not a matter of simply changing adjustments to make it do one or the other.

  • 1967 Chevy Camaro Project Art Morrison Five Link
    The Art Morrison rear clip with all five-link bars installed as it was delivered. All five bars will never be run at the same time. If it was run with like that, something would break. The 2x4-inch framerails are 0.120 wall and are bent to perfectly fit the stock trunk floor. The entire rear subframe is jig welded so the geometry and rearend housing are perfect. We choose optional Spohn rod ends for our rear clip for the ultimate in bind-free travel.
    1967 Chevy Camaro Project Art Morrison Five Link
    The Art Morrison rear clip with all five-link bars installed as it was delivered. All five
  • 1967 Chevy Camaro Project Art Morrison Drag Race Four Link
    This is the drag race four-link mode. By changing the location holes for the upper and lower arms, we have almost infinite antisquat adjustment allowing us to tune in more or less bite for different track conditions. By changing the length of the upper arms, we can adjust preload to compensate for torque at the starting line helping ensure us the car leaves straight. If you look under a Pro Stock car, this is the suspension you'll find.
    1967 Chevy Camaro Project Art Morrison Drag Race Four Link
    This is the drag race four-link mode. By changing the location holes for the upper and low
  • 1967 Chevy Camaro Project Art Morrison Three Link
    Three-link mode. We now have what many consider the best road race suspension. The three-link pivots off the center upper link and allows the rearend to move freely. Some antisquat adjustability is possible by changing the lower links location.
    1967 Chevy Camaro Project Art Morrison Three Link
    Three-link mode. We now have what many consider the best road race suspension. The three-l
  • 1967 Chevy Camaro Project Art Morrison Watts Link
    The Watts Link is most commonly seen in road race applications and centers the rear perfectly through any motion. The fabricated 9-inch housing came from Art Morrison fully jig-welded and installed. The rear is built to whatever width you need for the tire and wheel package you are running. We are running huge 12-inch-wide wheels so we had it narrowed a bit.
    1967 Chevy Camaro Project Art Morrison Watts Link
    The Watts Link is most commonly seen in road race applications and centers the rear perfec
  • 1967 Chevy Camaro Project Outer Body Shell
    Both the four-and three-link front bar mounts will penetrate the floor where the rear seat base would normally be. Because we are doing this install for an article, we are doing it in a slight reverse order for better pictures. Since the outer body shell is not welded up to the skeleton, it is pretty weak...
    1967 Chevy Camaro Project Outer Body Shell
    Both the four-and three-link front bar mounts will penetrate the floor where the rear seat
  • 1967 Chevy Camaro Project Relief Cuts
    ...so we cut some minimal reliefs in the floor to maintain structure integrity until the rear subframe is fully welded in.
    1967 Chevy Camaro Project Relief Cuts
    ...so we cut some minimal reliefs in the floor to maintain structure integrity until the r
  • 1967 Chevy Camaro Project Four Link Brackets
    Once the subframe is installed and we sheetmetal the outer body, we will open up this area and close out that entire area. No backseat in this one guys. The four-link brackets removed that possibility. But with the cage we're putting in this car, we could not access a back seat anyway.
    1967 Chevy Camaro Project Four Link Brackets
    Once the subframe is installed and we sheetmetal the outer body, we will open up this area
  • 1967 Chevy Camaro Project Rear Subframe
    The subframe fits the new reproduction floor perfectly. The new thicker/stronger rails will add some strength.
    1967 Chevy Camaro Project Rear Subframe
    The subframe fits the new reproduction floor perfectly. The new thicker/stronger rails wil
  • 1967 Chevy Camaro Project Pinion Angle
    With all of the bars adjusted to the exact same length as their mates, and with the rearend at ride height, we set our pinion angle to zero for a base setting. We then verified there was enough adjustment in all the rods to change pinion angle as we wanted. We have an easy few degrees of positive or negative adjustment.
    1967 Chevy Camaro Project Pinion Angle
    With all of the bars adjusted to the exact same length as their mates, and with the rearen
By Frank Serafine
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